Nerello Mascalese/Nero d’Avola, Hauner, Salina Rosso IGT Italy 2009

Lost at sea and desperate for home, they sight an island. Shear cliffs loom above. A citadel walled in copper gleams. Within it they find a hospitable ruler; his court redolent with savory smells and echoes of feasting.

The sailor is Odysseus. The ruler is Aeolus: keeper of the winds and king of the Aeolian islands, of which Salina is the heart.

He can see Sicily from his palace.

Since Homer, Salina has held its fame for fertile produce. Capers, olives, tomatoes, and grapes thrive, thanks to volcanic, well-draining soil and sun-baked slopes. Even UNESCO honors it as a World Heritage Site.

Today a wine comes from there, not blown to us by an ox-hide bag full of winds, as if it were Odysseus, but imported, with less ferment, by Bachanal Wine Imports.

But what a unique treat.

It began in the late 1960s. Carlo Hauner had left art design for dessert wine. He first learned traditional methods -like drying Malvasia grapes on mats- and then dragged the sleepy island’s viticulture back to life. Dry reds, whites, modern methods, equipment, and international distribution were gradually introduced. Commercial viability and recognition followed them in the 1980s.

Carlo died in 1996, but Carlo Jr. and winemaker Gianfranco Sabbatino continue his work.

Let’s start with their base model: Hauner’s table red, Salina rosso IGT, from 2009.

Its grapes are nerello mascalese and nero d’avola: adapted to the heat and sandy, volcanic soil of Italy’s South. Harvest wraps in September, before acids fade and sugars get out of hand. After moderate skin maceration and fermentation, the wine briefly ages in small oak barrels for three to six months, and in bottle for another three.The label is clean, white, textured paper. It sports clear text and Hauner’s sunset painting, which recalls a Rothko / O’Keeffe love-child. It’s confident but not loud. The wine follows form:

I can’t pin it down, but there is something rippling or wavelike about this wine. A kind of rhythm between fruit and spice, tannin, body, and acid, which keeps it breathing. It never jumps or jerks, just putters along like an old motor boat. It’s friendly, and charms without notice or effort.

I don’t want a twelve or thirteen dollar bottle to “explode with favor” or “seduce” me, as if those things would make it better value. If a cheap bottle blows my mind, I should worry. Either I am easily impressed (probably), or something nasty (like coloring, acidifying, tannin powdering, micro-oxygenating, reverse osmosis spinning, et cetera) has “improved” the wine.

Instead, I want dinner. I want a relaxing evening and a wine to frame the meal, like a nice towel on a quiet beach, at sunset, while my odyssey is on pause until tomorrow.

Who needs Ithaca.

http://www.hauner.it/ita.htm

http://www.poetryintranslation.com/PITBR/Greek/Odyssey10.htm

Posted in EMPTIED BOTTLES, Nero D'Avola, Red | Tagged , , , , , , , , , , , , , , , , , , , | 4 Comments

FABRICATED.FIZZ.

A lifetime has passed since I picked up Vidal Blanc juice, fresh from harvest in New York’s Finger Lakes on October 23rd.

Between then and present, my wine underwent fermentation, fining, cold stabilization, and at least three rackings. Once the wine was clear, last week’s blog post saw me sterilizing bottles for an hour.

I also warmed up another packet of yeast. Why? Because I want to make sparkling wine.

As the dark Dane said, “If it be now, ‘t is not to come; if it be not to come, it will be now; if it be not now, yet it will come: the readiness is all”.

Game on.

We’ve been bottling for three hours. Midnight nears and I am messing up yeast and sugar doses. I label which bottles have more or less.

But we can’t stop. Otherwise, we lose months of work and hundreds of dollars with no wine to drink.

My assistant-extraordinaire retires for the evening. But I have more to do.

Le Remueur: 1889 engraving of the man engaged ...

Le Remueur

I turn off my mini fridge, let it rise to 55 degrees, and then put in the yeast-dosed bottles. The constant, mild temperature and dark will mimic the caverns in Champagne. Yeasts will slowly munch through the sugar dose, meanwhile releasing carbon dioxide into the wine.

Like France’s best bubbly producers, I will turn the bottles daily to keep the yeasts and sugars mixed and active. This process, called riddling, ensures all sugar gets eaten.

But what about my yeasties? They will die but still be in each bottle. I’ll have to keep riddling and figure out how to gradually angle the bottle upwards, so the yeast sinks into the bottle’s neck. After a year of twisting and tipping, I will somehow freeze the tops, pop out the yeast popsicle, and recap my fresh, hopefully clear fizz.

Sure.

At least I set aside ten bottles of still wine.

With the journey roughly over, I sleep. I will crack open the still vidal blanc next month, once it gets over it’s bottle shock.

Until then, beer sounds fantastic.

I'll never get those four hours back...but I can drink them.

Posted in CABERNET CRISES: MY FOURTH WINE, OENOLOGICAL ODYSSEY | Tagged , , , , , , , , , , , , , , , , | 2 Comments

CLEANLINESS.WINELINESS.

It’s time.

Real wineries have machines that sterilize, fill, cap, and label hundreds bottles in seconds…those lucky (rich) bastards. My advice, just buy wine, because making it will ruin you.

Round two…bubbly:

Tune in next week for the final bottling of wine.

Posted in CABERNET CRISES: MY FOURTH WINE, OENOLOGICAL ODYSSEY, Uncategorized | Tagged , , , , | 1 Comment

How To Open Boxed Wine

Although seemingly obvious, I open a bag-in-box wine, and tell you how to:

For those desiring the extended version:

For my review of this wine click the linked text below:

https://waywardwine.wordpress.com/2012/01/09/grenache-blend-cuvee-de-pena-v-d-p-pyrenees-orientales-fr-2008-3l/

Andrew Jefford discusses the benefits of bulk versus glass here:

http://www.decanter.com/news/blogs/expert/529456/jefford-on-monday-beyond-the-scavengers

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Grenache Blend, Cuvée de Peña, V.d.P. Pyrénées-Orientales FR 2008 3L

While I wait for my wine to age in tank, it’s time to consider the world of boxes.

While I recorded this, I found that Robert Parker’s Wine Advocate newsletter gave Cuvée de Peña’s 2009 Red a 90 point score (2008’s was 87). Sure, 2009 has proven fantastic for most of France (especially after 2008).

But clearly the recession has sunk into the Advocate’s pen. People couldn’t afford most 90 point wines, since they all seemed to start at $20. Worse still, Parker has been firm friends with Cuvée de Peña for twenty years. That and the vintage hype. These three factors clashed, with a dash of price point bias:

“simply the finest of its illustrious bargain-priced breed that I have tasted (and I go back 20 years with this cuvée and its predecessor), which also makes it a mind-boggling value!”

My scale tries to judge all wines against each other. Otherwise, one could create a million subcategories, within which every wine gets a 90 point score (e.g. this is the best cabernet sauvignon, from Lodi, California, under $10, with a dog on it….90 points!).

*Sigh*

Another glass please!

Posted in EMPTIED BOTTLES, Grenache Blend, Red, TOOLS TOYS & TIPS | Tagged , , , , , , , , , , , | 1 Comment